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Nippon Connection Shiver (2021, Toshiaki Toyoda) On-Gaku: Our Sound (2019, Kenji Iwaisawa) While many of the feature films display a...

The R&D company Rhizomatiks is currently having its first solo show at the Museum of Contemporary Art Tokyo, a public art institution....

On the wall by the entrance to Mori Art Museum’s new exhibition, the title Another Energy: Power to Continue Challenging —16 Women...

On Under the Open Sky & Interview with Dir. Miwa Nishikawa Under the Open Sky , whether intentionally or not, makes references to a wide...

在疫情影响下，过去一年间的全球艺术体验发生了大幅改变。当作为封闭空间的展馆不能开门迎客，当作品的跨国运输成为难题，视频作品又一次成为了时代的宠儿，用一场又一场线上放映和线上展出填补着时间线上的空白（只不过二次元的坚守并无力拯救实体空间的落寞）。经历了五十多年的发展，视频艺术...

Love Song 1980 Directed by Mei Feng. China. 2020. 2h7m. # TIFF Before becoming a director, Mei Feng was better known as an art film...

Swimming Out Till the Sea Turns Blue Directed by Jia Zhang-ke. China. 2020. 111 mins. # FILMeX In the past few years, director Jia...

Love after Love Directed by Ann Hui. China. 2020. 140 mins. # TIFF Love after Love is a feast for the eyes rendering the extravagance...

“Time Flows: Reflections by 5 Artists” @Hara Museum | September 19, 2020 – January 11, 2021 Group exhibition with works by Tomoki Imai,...

Ainu Mosir Japan/USA/China, 2020, 84 minutes. Directed and written by Takeshi Fukunaga. The last few years have witnessed the springing...

Chinese media scholar Huike Wen’s new book, Romance in Post-Socialist Chinese Television , was published in July 2020 by Palgrave...

Inviting the Indian artist trio Raqs Media Collective as its artistic director, the 2020 edition of Yokohama Triennale resonates with a...